[UPD]Неции же считают, что это мужык О_О Но как они догадались?!
Между прочим, платок на голове (лат. theristrum, греч. θέριστρον или θέριστριον ) - точняк женский. Ишь как замаскировался, старый прохвост с сиськами
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...viamus.uni-goettingen.de/fr/mmdb/d/singleItemVi...
Alter Hirte
Rom, Konservatorenpalast, 1111
Herkunft: Rom, Horti Lamiani, vom Esquilin.
Marmor
Höhe: 1.075 m Breite: 0.445 m Tiefe: 0.365 m Sockelhöhe: 0.065 m Sockeltiefe: 0.395 m
Ergänzungen: Kopf und Hals, l. Arm, am Lamm r. Vorderbein, l. Hinterbein, l. Ohr.
Literatur: Stuart Jones, Pal. Cons. 145 Nr. 28 Taf. 50.- Helbig4 II Nr. 1481 (v. Steuben).- N.Himmelmann, Über Hirten-Genre in der antiken Kunst (1980) 90 Taf. 28-29.- H.P.Laubscher, Fischer und Landleute (1982) 20 ff. 116 Nr. 36 Taf. 24.25.- Le tranquille dimore degli dei, Ausst. Rom 1986, 100 f. 201 Nr. 70 mit Abb - B. Andreae, Skulptur des Hellenismus (2001) 85-87 Taf. 37.
Zum Abguss:
Gips
Abguß mit den Ergänzungen, mit Gußnähten, in der l. Hand mit Teil eines Krummholzes ergänzt.
Erwerbungsjahr: 1912
Bezugsquelle: V. Gherardi, Rom. Mit Mitteln der Krupp-Körte Stiftung erworben.
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В пару - "старый рыбак" из Метрополитен-музеума. Сиськи, правду сказать, намечаются; но всё же не так явно.
www.ipernity.com/doc/laurieannie/24420105/in/al...
www.metmuseum.org/collection/the-collection-onl...
...Marble statue of an old fisherman 1st or 2nd century A.D. (106.7 cm) Roman Copy of a Greek statue of the late 3rd century B.C.
Accession Number: 19.192.15
The effects of hard work and age are powerfully rendered in this representation. A more complete replica in Rome preserves the head and a basket of fish on the left arm, indicating that the stooped figure must be a fisherman. Since his voluminous cloak seems ill-suited to work, he is probably headed for a festival, as is the statue of an aged woman carrying chickens and a basket of fruit, which stands nearby. During the Hellenistic period, genre statues of this type were dedicated in temples and sanctuaries, sometimes in landscape settings. Wealthy Romans often placed their copies in gardens and parks.
Displayed between the nearby columns is a small head of an elderly man wearing a peasant’s cap that comes from a similar statue and may also represent a fisherman.
Вот, вроде, его голова - тут сомнения в половой принадлежности неуместны
www.ipernity.com/doc/laurieannie/24420069/in/al...
www.ipernity.com/doc/laurieannie/24420083/in/al...
www.metmuseum.org/collection/the-collection-onl...
Ещё один рыбак. Да что же это с ними?!
www.flickr.com/photos/mharrsch/5350080032/in/ph...
...Statue of an old fisherman with bag in left hand Roman 2nd decade of 2nd century CE
Photographed at theTerme di Diocleziano venue of the National Museum of Rome in Rome, Italy.
Предлагаю рабочее название для скульптуры: "Пожилой
Ну, и до кучи - типажи из народа (в основном эллинистические скульптуры 3-2 вв до н.э., которые любили копировать римляне в 1-2 вв) -
metmuseum.org/collection/the-collection-online/...
www.ipernity.com/doc/laurieannie/24420121/in/al...
www.ipernity.com/doc/laurieannie/24420085/in/al...
www.ipernity.com/doc/laurieannie/24420119/in/al...
www.ipernity.com/doc/laurieannie/24420095/in/al...
www.ipernity.com/doc/laurieannie/24420097/in/al...
www.metmuseum.org/collection/the-collection-onl...
Statue of an old market woman, Early Imperial, Julio-Claudian, 1st century A.D.
H. 125.98 cm
The woman wears a thin elegant dress, thong sandals, and a crown of Dionysiac ivy leaves. She may be dressed for a festival and the birds and basket of fruit she carries might be offerings. Her garment has slipped off her shoulder, a detail often seen in representations of old women that hints at the liberation of the elderly from the restrictions imposed on women of childbearing years. As in many such figures, direct observation of reality lends force to deeper religious implications. The piece may be a copy of an older, Hellenistic model or a creation of the Roman period in a tradition that was still alive. It seems to have been deliberately damaged, probably in late antiquity, when such a pagan image would have provoked hostility.
metmuseum.org/collection/the-collection-online/...
Marble head of an old woman Early Imperial ca. 1st century A.D.
H. 19.7 cm
This head is broken from a statue. The type relates to the old market woman (09.39) displayed in the Roman Court.
www.flickr.com/photos/h_savill/6285966592/
www.corbisimages.com/stock-photo/rights-managed...
Fishing Scene Mosaic detail from the Baths of Leptis Magna.
www.ipernity.com/doc/laurieannie/24420153/in/al...
www.ipernity.com/doc/laurieannie/24420147/in/al...
www.flickr.com/photos/dmcordell/6924568536/
www.ipernity.com/doc/laurieannie/24420153
Marble statue of a fighting Gaul Late Hellenistic, 2nd or 1st century BC Said to be from Cerveteri, Italy Metropolitan Museum of Art
This figure can be identified by its trousers as one of the barbarian enemies that the Romans faced on their northern borders. The Celts or Gauls, a diverse array of tribes with a common culture, were settled in much of Europe, and Germanic tribes inhabited the area beyond the Danube and the Rhine. Although all these peoples wore tight-fitting trousers, this figure probably represented a Celt because of the carefully detailed sword belt suspended from his waist, with holes for a metal scabbard at the right side. We know from ancient literary descriptions and the archaeological evidence from tombs that the Celts were especially noted for their use of long cutting swords that hung at their right side from chain belts.
The Celts harried the Mediterranean world intermittently from the late fourth century until they were subdued in Gaul by Julius Caesar in the mid-first century BC. Famous statues of the barbarian warriors had been erected by the rulers of the Hellenistic city of Pergamon in western Asia Minor after their victories over invading Gallic tribes in the third century BC. Those statues, preserved in Roman copies, represented the Gauls in the nude in various defensive or defeated poses. This work, which shows a fully dressed fighter in an attacking stance, was perhaps part of a monument commissioned from Greek sculptors by a Roman general who had been victorious in a campaign on the northern frontier.
[Хм, почти что леггинсы. Кстати, обувь (галлики?)]